A few examples of appraisal values for
CHARLES WILSON

• CHARLES WILSON KNAPP 'VIEW OF BEAR MOUNTAIN'
  CHARLES WILSON KNAPP 'VIEW OF BEAR MOUNTAIN' O/C Charles Wilson Knapp (American 1823-1900), 'View of Bear Mountain', oil on canvas depicting cattle and a farmer on the banks of a river with a shallow waterfall and mountains in background, signed to lower right, in a gilt frame. Provenance: Shannon's Fine Art Auction, October 24, 2002, Lot 222; Sloan's Bethesda, November 29, 2001, Lot 197. Approximate dimensions: canvas h. 18", w. 32"; frame h. 27.5", w. 41.5", d. 3.625" to canvas
• 12 S KIRK & SON STERLING COLLECTIBLE
  12 S KIRK & SON STERLING COLLECTIBLE PLATES The Young George Washington from The Kirk Collection of 1972, centered with a printed image of George Washington after the portrait by Charles Wilson Peale, the underside with affixed label noting date and series number, 6 in. Diam., 37.3 ozt.
• PRINT, CHARLES WILSON Charles Wilson
  PRINT, CHARLES WILSON Charles Wilson (American, 20th century), "Comanche Portrait," lithograph, pencil signed lower right, sheet (unframed): 12.5"h x 17.5"w
• NAUTICAL CHART: N. AMERICA INC. BOSTON,
  NAUTICAL CHART: N. AMERICA INC. BOSTON, NOVA SCOTIANautical Map: A Chart of the Course of North America, from the Strait of Belle Isle to Boston, Banks and Island of Newfoundland, The Gulf and River of St. Lawrence, Nova Scotia, Bay of Fundie &c, Constructed and Drawn from the Latest Surveys by J.S. Hobbs, FRGS, Hydrographer, 1861. Printed on bottom margin: "A New Edition London 1859 by Charles Wilson at the Navigation Warehouse and Naval Academy." Shown are Boston Harbor, Halifax Harbor, Isle St. Pierre, St. John's, Island of St. Paul, Port St. Andrew, and more. Contains navigational advisory notes on topics such as water temperature, winds, and landmarks. Original blueback paper and canvas edging. A & H Creighton Navigational suppliers label en verso. 40" H x 66 1/4" W. (Higher-resolution photos are available at www.caseantiques.com) Condition: Edge staining, some small paper losses at lower edge, scattered fingerprint smudges and light foxing/staining scattered in the area near left third, scattered creasing, a couple of 1-2" tears at edges and corners.
• Charles Wilson 'Drifting' Sailboat Small
  Charles Wilson 'Drifting' Sailboat Small Etching Framed- 11x9''
• (2) NOEL LE MIRE (FRENCH, 1724-1801)
  (2) NOEL LE MIRE (FRENCH, 1724-1801) ENGRAVINGS OF GEORGE WASHINGTON [Le General Washington Ne Quid Detrimenti Capiat Res Publica], circa 1780, after Louis Jean-Baptiste Le Paon (French, 1738-1785), after Charles Wilson Peale (American, 1741-1827), Le Paon elaborated on Peale's original by keeping the
• PAIR OF EXCEPTIONAL POLYCHROME SCRIMSHAW
  PAIR OF EXCEPTIONAL POLYCHROME SCRIMSHAW WHALE’S TEETH WITH PORTRAITS OF GEORGE AND MARTHA WASHINGTON MID-19TH CENTURY LENGTHS 6.25".PAIR OF EXCEPTIONAL POLYCHROME SCRIMSHAW WHALE'S TEETH WITH PORTRAITS OF GEORGE AND MARTHA WASHINGTON, Mid-19th Century, Finely executed three-quarter length portraits exhibiting outstanding color and contrast. "Lady Washington" tooth image probably sourced from a plate in The Life of George Washington, by Jared Sparks (Boston: Tappen & Dennet, 1843) engraved by J. Cheney & J.G. Kellogg, after the original 1757 painting by John Wollaston. At the time of the portrait, Martha Dandridge, who would have been about age 25, was still married to her first husband, Daniel Parke Custis, who died in 1757. She is wearing a low-cut puffy-sleeve gown with a red bow on the bodice. It is a notably fashionable and svelte portrait, in stark contrast to the more commonplace dowdy likenesses. Portrait enclosed within a red and blue swag border containing white hearts bisected by red stripes and with leaves at each point. Rose garland below title cartouche. "Washington" tooth image probably sourced from a J.B. Forrest engraving published by G.P. Putnam around 1855, after the original 1772 painting by Charles Wilson Peale. Washington, about age 40, is wearing his uniform of colonel of the Virginia Regiment, which he commanded from 1755 to 1758 during the French and Indian Wars, including a feathered cockade, a long scarf, a vest and jacket, and a sword at his side. He has a musket at his back, which would not have been military-issued but possibly references Washington's sport hunting in his retirement years. Portrait enclosed by a red and blue crown-like swag border containing Union shields and with crosses at each point. Patriotic garland of crossed cannons and furled American flags below title cartouche. Martha Washington had commissioned the Peale portrait of her husband as a companion to the 1757 Wollaston portrait of her, and the pair of paintings hung in the front parlor of Mount Vernon. They are now part of the Washington & Lee University collection. Dimensions: Lengths 6.25". Provenance: Family history attributes the pair to the collection of Mary Sears Hough, acquired from her great-uncle Nathan Hathaway (1851-1922). On the DeNeuville-Hough side of the family was whaling master Nathan Smith, who commanded the New Bedford whaleship "Java" on an 1864-1868 voyage to the Indian Ocean.
• THREE WORKS EACH ON PAINTERS JOHN SINGLETON
  THREE WORKS EACH ON PAINTERS JOHN SINGLETON COPLEY AND CHARLES WILSON PEALE To include: Flexner, James Thomas. John Singleton Copley (Cambridge, 1948), 4to (very good condition, the jacket fair only); Brown, Jules David. John Singleton Copley in America 1738-1774 and Jonathan Singleton Copley in England, 1774-1815 (Cambridge, 1966), together in slipcase (stains to spines; wear to slipcase); Sellers, Charles Coleman. Charles Wilson Peale (Philadelphia, 1947), two volumes, 4to (chips and tears to jackets, else very good condition); Sellers, Charles Coleman. Charles Wilson Peale: A Biography (New York, 1969), jacket creases, else a fine copy.
• CHARLES WILSON KNAPP (AMERICAN, 1823-1900),
  CHARLES WILSON KNAPP (AMERICAN, 1823-1900), LANDSCAPE Oil on canvas (lined), signed at lower left, presented in a period gilt composition frame.
• After Charles Wilson Peale hand colored
  After Charles Wilson Peale hand colored engraving titled "General Washington, Late President of the United States of America, from a fine original engraved at Paris published 25, May 1797 by Laurie & Whittle, 53 Fleet Street, London" 14" x 10" ss / 16" x 12" oa Condition: Wear consistent with age, some discoloration, minor losses, appears to be original frame and glass.
• Oil on canvas portrait of Revolutionary
  Oil on canvas portrait of Revolutionary war soldier Thomas Robinson, wearing his Society of the Cincinnati medal, painted by Edith Rosenow in 1940, after the original portrait by Charles Wilson Peale. 28.25" x 21" ss / 36" x 29" oa Condition: In-painting noted particularly to the face, frame repainted, cracks.
• DOCUMENTS SIGNED BY LEWIS AND CLARKRare
  DOCUMENTS SIGNED BY LEWIS AND CLARKRare Pair of Documents Signed by Explorers William Clark and Meriwether Lewis, the first, a manuscript Justice of the Peace appointment of H.M. Guyol, signed "William Clark", as Governor of Missouri Territory, St. Louis Oct. 10th 1817, with paper seal, 7 3/4 in. x 7 1/2 in.; the second a partially-printed appointment of Thomas Oliver as Judge Advocate of the 2d Regiment of Militia, 1809, signed "Meriwether Lewis" as Governor and Commander in Chief of the Territory of Louisiana, with paper seal, 7 3/4 in. x 12 1/2 in., framed together with portraits after the paintings of Charles Wilson Peale.
• OIL ON CANVAS PORTRAIT OF COL. CHARLES
  OIL ON CANVAS PORTRAIT OF COL. CHARLES PETTITOil on canvas portrait of Col. Charles Pettit (1737-1806) , possibly a copy of an original by Charles Wilson Peale, 25" x 21". Provenance: The Estate of Charles West Wilson, Red Lion, Pennsylvania. Condition: Laid on board. Significant touch-up.
• CHARLES WILSON PEALE OIL ON CANVAS PORTRAITCharles
  CHARLES WILSON PEALE OIL ON CANVAS PORTRAITCharles Willson Peale (American 1741-1827) , oil on canvas portrait of Sarah Benezet Bartow (1746-1818) of Philadelphia, signed lower left, dated 1772 , 30" x 25". Condition: Old lining. Newer stretcher. Allover small craquelure with tiny flakes. Minor touch-up including some to forehead. Frame - good condition, some paint loss. A copy of the present work is in the collection of the Woodmere Art Museum.
• CHARLES WILSON KNAPP OIL ON CANVAS LANDSCAPECharles
  CHARLES WILSON KNAPP OIL ON CANVAS LANDSCAPECharles Wilson Knapp (American 1823-1900) , oil on canvas landscape with cows and cottage, signed lower right, 18" x 32". Condition: Relined. Period frame. Scattered touch up mostly to sky approx. 5%.
• CHART OF NEW AUSTRALIA, SOUTHERN PACIFIC,
  CHART OF NEW AUSTRALIA, SOUTHERN PACIFIC, ANDsouthern South America. 1854. Charles Wilson, London, Navigation Warehouse and Naval Academy. Blueback, with cotton twill edge. 7" repaired tear through South America. 73 1/2" x 33". 42" repaired tear along the bottom half of the chart.
• AFTER PEALE, GEORGE WASHINGTON AT PRINCETON,
  AFTER PEALE, GEORGE WASHINGTON AT PRINCETON, OIL James Wenneker von Brunn (American 1920-2010), after Charles Wilson Peale (American 1741-1827), "George Washington After The Battle Of Princeton", oil on canvas, full length portrait depicting General Washington on the battlefield after the skirmish with captured British and German battalion flags in the foreground, signed "J.v.B" lower right, framed. Provenance: From the Private Collection of William R. Collins, JR., Milton, Georgia. Approximate measurements: Canvas h. 36", w. 23"; Overall h. 43. 5", w. 30. 5", d. 3".
• Charles Wilson Knapp (American, 1823-1900) View
  Charles Wilson Knapp (American, 1823-1900) View in W. Park oil on board initialed CWK (lower right); titled (verso) 9 1/4 x 12 1/4 inches.
• CHARLES WILSON KNAPP (AMERICAN, 1823-1900),
  CHARLES WILSON KNAPP (AMERICAN, 1823-1900), CATTLE WATERING Oil on canvas, 1877, signed and dated at lower right, framed.
• CHARLES WILSON AND RALPH HAMMER SCHARF,
  CHARLES WILSON AND RALPH HAMMER SCHARF, TWO MATTED AMERICAN LITHOGRAPHS, INCLUDING: CHARLES WILSON (AMERICAN, 1918-2013), “OLD INJUN”, DEPICTING A NATIVE AMERICAN MAN WEARING A HAT, WITH TWO ADDITIONAL FIGURES AND TIP...Charles Wilson and Ralph Hammer Scharf, two matted American lithographs, including: Charles Wilson (American, 1918-2013), "Old Injun", depicting a Native American man wearing a hat, with two additional figures and tipi in the background, signed with pencil in lower right, mat: 18" h. x 14" w. paper size: 16" h. x 12" w.; Ralph Hammer Scharf (American, 1923-1993), "Israel In Egypt's Land", depicting African American slaves, mat: 14" h. x 18" w. paper size: 13 1/8" h. x 15 1/8" w., both editions distributed by Associated American Artists, evenly toned, AAA card present and attached to matting, hinged top to top.
• CHARLES WILSON KNAPP (AMERICAN, 1822-1900)
  CHARLES WILSON KNAPP (AMERICAN, 1822-1900) HUDSON RIVER SCHOOL LANDSCAPE Oil on canvas. Signed 'C. W. Knapp' (lower left).
• In the style Charles Wilson Peale. American
  In the style Charles Wilson Peale. American Primitive Portrait of a Woman oil on canvas framed Estimate $ 100-200 Comments added 10-20-2011: *Heavy inpainting in face and in background *dated 1969 on verso No condition report supplied.
• CHARLES WILSON KNAPP (american 1823-1900)
  CHARLES WILSON KNAPP (american 1823-1900) FIGURES AND CATTLE IN A RIVER LANDSCAPE Signed 'Knapp' bottom left, oil on canvas 18 x 32 in. (45.7 x 81.3cm) provenance: Mrs. Betty Anderson, Wenonah, New Jersey. ,000-5,000 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.